PART I: September 6, 7, 8
PART II: September 12, 13
Theorems, Proofs, Rebuttals, and Propositions: A Conference of Theoretical Theater is being held to communally research how theorizing is performed. We use the word “the-ater” to frame performance modes that propose a way of seeing, or “the-ory.” We seek to enable serious consideration of the ways that performance constructs ways of knowing, but also ask how dramaturgy and other “theatrical” ways of knowing inform and sometimes restrict discursive and dialogic processes at large.
Therefore, at the core of this conference is performance. The conference begins with four plenary presentations, all in the form of performances, by Amapola Prada, Reality Research Center, Kikuko Tanaka, and Mike Taylor. Each of these will be followed by a moderated discussion. The responses by conference participants will discuss, derail, and embody theater-as-theory.
CONFERENCE REGISTRATION is $50 for full access* to the two public weekends of the conference. Register here: http://theaterastheoryconference.bpt.me/. Entrance to any of the public events individually is $10 strongly suggested donation (or DNA in the form of hair or fingernails at Glasshouse).
*August 31st-September 4th is Acts I, II, and III of the Reality Research Center’s “Symposium.” The piece is a workshop-format performance for 12 individuals during the day. Participation is first come, first served and will occur at Momenta Art. Please note in your registration if you are able and desirous to participate in this aspect of the conference.
Friday Sept 6
5-8pm Amapola Prada / Plenary Performance
8pm Amapola Prada / Moderated Discussion
< dinner break >
10:00-11pm Kikuko Tanaka / Plenary Performance (Panoply Performance Laboratory)
“Poultry Paradise and Its Discontents: Nightshifts”
Saturday Sept 7
4:00-5:00pm Kikuko Tanaka / Moderated Discussion (Panoply Performance Laboratory)
7:00pm-12:00am Reality Research Center / Plenary Performance Act IV*
Dinner will be provided.
[Note: Only the 12 audience members from Acts I-III can participate in this final, inner sanctum Act IV of “The Symposium”]
Sunday Sept 8
1:00-4:00pm Mike Taylor / Plenary Performance Part I (Glasshouse Projects)
4:30-5:30pm Reality Research Center / Epilogue and Moderated Discussion (Glasshouse Projects)
6:00-7:00pm Mike Taylor / Plenary Performance Part II and Moderated Discussion (Glasshouse Projects)
Moderated by Gavin Kroeber
7:30 Casual drinks & wrap-up discussion
In this intervening week, invited conference participants (scholars, artists, writers, and others) construct responses to the four plenary works in the form of performances, dialogues or writing. These works are performed or read on the following two days:
Thursday Sept 12th
7-10pm Participant response panels and performances (Glasshouse Projects)
Friday Sept 13th
7-11pm Participant response panels and performances (Glasshouse Projects)
— In conjunction with a closing party/Glasshouse residency opening —
246 Union Avenue
Panoply Performance Laboratory
104 Meserole Street
Amapola Prada lives and works in Lima, Peru. Her practice navigates the intimate spaces within human beings unprocessed by consciousness and expressed by non- rational impulses to create symbolic works resonating the social conflicts of everyday life. Her performance work has been presented by the Hemispheric Institute of Performance and Politics, Belo Horizonte, Brasil; Performa 11; the Museo de Arte Contemporáneo de Oaxaca, Mexico; and the II Bienal Internacional de Performance in Santiago de Chile, Chile. In 2011, as a Franklin Furnace Fund Fellow, her solo exhibition Modelo Para Armar: Rehearsing The City was on view at the AC Institute in New York City. She received a BA in Social Psychology from Pontifica Universidad Católica del Perú.
Reality Research Center is a well-known performing arts collective based in Helsinki, Finland. Their works stem from critical perspectives that observe, question and renew the surrounding reality through performative means. During 2012-13 RRC is creating Utopian Reality, which uses the everyday as an artistic medium and invites everyone to reconfigure it with utopian practices.
Mike Taylor is a writer, director, installation artist, and performer across disciplines. Her projects have been performed, read, and shown at The Kitchen, The Invisible Dog, CUCHIFRITOS art gallery, Dixon Place, La Mama, TONIC, and elsewhere. She has recently collaborated with Ralph Lemon, Lance Gries, and, her primary collaborator in this experiment, Iki Nakagawa; and has worked extensively with Meredith Monk, Yvonne Meier, Sibyl Kempson, John Jesurun, Urban Bush Women, Richard Foreman, Dar-A-Luz, Conway & Pratt Projects, The Wooster Group, The Ridiculous Theatrical Co, and many others.
Born and raised in Japan, Kikuko Tanaka is a frantic artist based in New York. She has performed and exhibited in various venues, including Smack Mellon, Momenta Art, NARS Foundation, Center for Performance Research, Amelie A.Wallace gallery at SUNY Old Westbury, Glasshouse, Vox Populi, Arario Gallery and Panoply Performance Laboratory among others. Her work has been reviewed in Art in America, Art Info, and Hyperallergic. She was a nominatee for a Rema Hort Mann Foundation Visual Art Grant in 2010. Her open-ended multi-media tragicomic epic, A Tragic Bambi, is fiscally-sponsored by New York Foundation for the Arts. She has a cross-disciplinary background in her education. She holds a BA in Landscape Design from Chiba University, and has studied fine art at School of Visual Arts, and interdisciplinary study at Hunter College and Graduate Center, New York. She is also a co-founder/ co-director of a not-for profit organization, Agape Enterprise, Brooklyn, New York.
Theorems, Proofs, Rebuttals, and Propositions: A Conference of Theoretical Theater was established by Esther Neff (Panoply Performance Lab) and Yelena Gluzman (Science Project / UCSD / Ugly Duckling Presse). It is sponsored by an Honorary Fellowship for Utopian Practice from Culture Push.
To contact the organizers, please email email@example.com.